Racked with lust, he steals away with her and rapes her in the woods –- the "sylvan scene” Eliot mentions. A collection of independent short episodes, this anthology explores a haunting world warning us of our future while simultaneously reminding us of our past. The title partly alludes to a game of chess played in Jacobean dramatist Thomas Middleton’s play Women Beware Women , but also to … The dialogue grows more fractured and the closing time announcements become more frequent, and finally the stanza devolves into a quotation from Hamlet: Ophelia’s final words to Claudius and Gertrude, “Good night ladies, good night, sweet ladies, good night, good night.”, This section once again ushers in the issue of biographical interpretation. Add the first question. Study Guide Navigation. Berkow, Jordan ed. ‘A Game of Chess’ is, in the last analysis, chiefly about two very different women in the modern world and their unfulfilling relationships with men. Sorry, your blog cannot share posts by email. The mood is sad and filled with futility. Quotation and allusion is of course a quintessential component of Eliot’s style, particularly in "The Waste Land"; the poem is sometimes criticized for being too heavily bedecked in references, and too dependent on previous works and canons. Eliot? Eliot, literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis. Synthetic humanoids live and work together with natural born humans in a society manipulated and controlled by the governing entity known as The State. Again the word “drowned” appears, and with it comes the specter of death by water. After over 30 lines describing the woman in her room, which are rendered largely in blank verse, we then move to a more fragmentary style of verse which is far less ornate, as we read a conversation between a woman (presumably the same woman) and her male lover. Eliot’s greatest model in this vein was probably Ulysses, in which James Joyce used Homer’s epic as a launching pad for a dissection of modern Dublin. II. Chess belongs therefore to this lifeless life; it is the quintessential game of the wasteland, dependent on numbers and cold strategies, devoid of feeling or human contact. In this case, the thick perfumes seem to blot out authentic sensations, just as the splendid decorations of the room appear at times more menacing than beautiful. It may seem at first ironic that he relies so much on Ovid, the Bible, Dante, and other older works of literature to describe the modern age, but Eliot’s method is an essentially universalist one. We are not sure who the woman is: perhaps Eliot’s wife Vivienne, perhaps a stand-in for all members of the upper crust, perhaps simply an unnamed personage whiling away the hours in a candlelit kingdom. In contrast to modernist poets such as Cendrars and Appollinaire, who used the choot-choot of trains, the spinning of wheels, and the billowing of fumes to evoke their era, or philosophers such as Kracauer and Benjamin, who dove into the sports shows and the arcade halls in search of a lexicon of the modern that is itself modern, Eliot is content to tease modernity out of the old. Snatches of dialogue follow. The Waste Land study guide contains a biography of T.S. He gave Lil money to get a new set of teeth, but she has hesitated: “You ought to be ashamed, I said, to look so antique [...] I can’t help it, she said, pulling a long face." We now move to one of the most popular sections of ‘A Game of Chess’, especially when it comes to analysis of the themes of The Waste Land as a whole: we find ourselves in a pub in the East End of London, and to the other end of the social spectrum. But perhaps a death like Ophelia’s is the only way out of the horror-show that is the waste land. Reblogged this on newauthoronline and commented: ‘Fear death by water’, the Tarot reading in ‘The Burial of the Dead’ has warned us. In the Greek myth, retold in Ovid’s Metamorphoses, Philomela was raped by her brother-in-law, Tereus; the gods took pity on her and she was turned into a nightingale, though she continued to accuse Tereus (thus the bird’s call of ‘Jug Jug’). Synthetic humanoids live and work together with natural born … It is important to recognize that Eliot culminates this passage with an invocation of both Eastern and Western philosophy; he even says so himself in his... What is the mood of "A Game of Chess" by T.S. A Game of Chess. Working-class women are talking together, and one of them is telling her friend about another friend, Lil. Eliot's "The Wasteland": Portrait of a Desolate World, View Wikipedia Entries for The Waste Land…. GradeSaver, 26 October 2007 Web. A wonderful analysis. When she asks him what he is thinking, the narrator retorts, “I think we are in rats’ alley / Where the dead men lost their bones.” Still more harried questions follow; the woman demands to find out whether the narrator knows “nothing,” then asks what she should do now, what they should do tomorrow. Eliot? In summary, ‘A Game of Chess’ begins with a long description of an ornately decorated room in which a woman is sitting on a ‘Chair’ like a throne (the first line of ‘A Game of Chess’ is actually an allusion to a line from Shakespeare’s Antony and Cleopatra: ‘The barge she sat in, like a burnished throne …’). The carving of a dolphin is cast in a “sad light.” The grandiose portraits and paintings on the wall are but “withered stumps of time.” By the end of this first stanza, the room seems almost haunted: “staring forms / Leaned out, leaning, hushing the room enclosed.” The woman, for her part, is a glittering apparition, seated upon her Chair (Eliot capitalizes the word as if it were a kingdom) like a queen, recalling Cleopatra -– and thus yet another failed love affair. This artistic depiction of sexual violence foreshadows several other, modern moments in the poem, such as the woman Lil who is much put-upon (literally) by her husband later in ‘A Game of Chess’, and the young man who ‘assaults’ the typist in ‘The Fire Sermon’. This section once again ushers in the issue of biographical interpretation. Shades of the Gothic are introduced here as well, echoed by the bats with the baby faces in the chapel. ‘A Game of Chess’ is the second section of T. S. Eliot’s 1922 poem The Waste Land, the impact of which was profound and immediate. Chazelle, Damien. What is the mood of "The Fire Sermon" by T.S. The narrator answers with a rote itinerary: “The hot water at ten. Discover what to watch this November including a Marvel docu-series, a '90s reboot, and a Star Wars holiday celebration. He then ties her up and cuts off her tongue so that she may not tell others of what has happened. Elliot, an up and coming playwright, wants his first production to start a revolution. It seems plausible that the woman in the room is addressing the narrator. The Best TV Shows About Being in Your 30s. Image: A large chess game inside Enoch Pratt Free Library in Baltimore, MD, USA (picture credit: Jyothis), via Wikimedia Commons. They are both trapped in a cycle of repetition. The poet’s trick is to plumb the old in order to find the new. What is the overall mood of "What The Thunder Said" by T.S Eliot? – foregrounds one of the main themes of The Waste Land as a whole: marriage, and, more widely, relationships, especially sexual relationships, in the modern world. Nevertheless, the main point is that the room is lavishly decorated, including the carving of a dolphin and a depiction of Philomela being transformed into a nightingale. This section takes its title from two plays by the early 17th-centuryplaywright Thomas Middleton, in one of which the moves in a gameof chess denote stages in a seduction. About The Waste Land. The woman, despairing, asks the man what they are going to do – what they are ever going to do – which reinforces the idea that their lives are empty of meaning and they struggle to find ways to make their existence matter. The Wasteland explores a future dystopian world where government and technology have taken over our lives. First Tristan and Isolde, now Cleopatra: twice now Eliot has alluded to tragic romances, filtered from antiquity through more modern sensibilities -– first that of Wagner, the great modernizer of opera, and then that of Shakespeare, perhaps the first “modern” dramatist. Unthinkable. The second section of "The Waste Land" begins with a description of a woman sitting on a beautiful chair that looks “like a burnished throne” -– a nod to Cleopatra in Antony and Cleopatra. He returns to his wife, but Philomela is able to weave on a loom what has befallen her; she gives the loom to her sister, who, upon discovering the truth, retrieves Philomela, slays Tereus’s son, and feeds his carcass to the king. From which a golden Cupidon peeped out. The best student edition of Eliot’s poem is The Waste Land (Norton Critical Editions), which comes with a very helpful introduction, as well as contextual information and major critical responses to The Waste Land. The title partly alludes to a game of chess played in Jacobean dramatist Thomas Middleton’s play Women Beware Women, but also to another of his plays, A Game at Chess. The Chair she sat in, like a burnished throne, Glowed on the marble, where the glass. These papers were written primarily by students and provide critical analysis of The Waste Land. Storyline The Wasteland explores a future dystopian world where government and technology have taken over our lives. The man replies with a list of things they do – that they always do. She occupies a splendid drawing room, replete with coffered ceilings and lavish decorations. He is reduced to quoting other people rather than giving personal, heartfelt answers to the big, personal questions put to him by the woman, which neatly mirrors what T. S. Eliot himself is doing: quoting other people. The Waste Land By T. S. Eliot About this Poet T.S. Time for what? Eliot, the 1948 winner of the Nobel Prize in Literature, is one of the giants of modern literature, highly distinguished as a poet, literary critic, dramatist, and editor and publisher. The Waste Land Part II – A Game of Chess. Lil has prematurely aged; she’s running out of time.